Rio, painted from Niterói, Henri Nicolas Vinet, XIXth c.
For its lush abundance, the Atlantic Rainforest became an inspiration for many foreign artists, botanists and naturalists.
Floresta da Tijuca, Henri Nicolas Vinet XIXth c.
But in the city, the forest
was already deteriorated by extreme exploitation of its resources - logs for
construction; firewood and coal for the numerous sugar-mills, brickyards, and
domestic uses - as well as to extend coffee farming in almost all areas.
In
1797, there were 120 sugar-mills.
In 1763, coffee began to be planted uphill, protecting
from the marshes down the plains.
Only inaccessible gorges kept the original vegetation.
Droughts succeeded, as well
as historical floods. Either rivers dried, threatening water supply, or
landslides provoked calamities.
In 1856, sites began to be
expropriated, and in 1861, a protected area called Floresta da Tijuca was created, and a reforestation program began. From 1861 to 1874, the man-in-charge, Major Archer used native species from adjacent regions. And from
1877 to 1887, it was carried on by the baron of Escragnolle, using also exotic
species, with a total of around 95 thousand seedlings.
Escragnolle, who had his home uphill, with the help of Auguste Glaziou, the Emperor's own landscaper, transformed the Tijuca Forest into an area of leisure and amusement, building roads, parks, belvederes, fountains, tracks, bridges and artificial lakes.
In 1943, Castro Maya, from a traditional family, was charged with the mission of refurbishing Escragnolle's and Glaziou's works.
Cascatinha Taunay
próximo à Cascatinha Taunay
Açude da Solidão
Paineiras
privileged view!